CEAM CONFERENCE 2023
OCTOBER 23-25
Conference schedule
* Presentation language is Russian, unless stated otherwise.
Day 1
October 23, 2023, Monday
Konstantinos Vasilakos
Composer, performer, PhD in Music Technology
Intelligent Behemoths: An Occultist’s Approach on Technological Mediated Audience Participation

in English
12:00 – 12:40
online
Sofia Kodesnikova
Third-year student of the musicology faculty of the St. Petersburg Conservatory
Interaction of electronic and acoustic in "An Index of Metals" by Fausto Romitelli
12:50 – 13:20
online
Evgenia Evpak and Pyotr Skovorodnikov
Evgeniya is a composer, graduate student at the National Research University Higher School of Economics;
Peter is a researcher and experimenter in the field of interaction between music and technology
Programming in the works of resident composers of the HSE Design Orchestra: traditional and experimental approaches
13:30 – 14:00
Break
14:00 – 15:00
Sergey Poltavsky
Violist, researcher, developer
CEAM PureData: new release
15:00 – 15:30
Nikolai Khrust
Composer, PhD (Candidate of Art Sciences)
New strategies of granular synthesis and derivative types of sound synthesis: granular ‘vocoder’, ‘granular waveshaping’ and ‘granular shape-morphing’

in English
15:40 – 16:20
online
Yuri Frolov and Yuri Petrov
IV year students of the Petrozavodsk State Conservatory
Northern Music Laboratory of Electroacoustics: experience in creating an educational course in the field of electroacoustic music
16:40 – 17:10
online
Konstantin L. Gurin
Researcher of the application of mathematics in music; graduate of the Moscow Institute of Physics and Technology
The simplest mapping of the overtone series to the pitch classes of the Pythagorean tuning
17:20 – 17:50
Irina Sevastyanova
musical journalist, researcher
Sampling in the writings of Simon Steen-Andersen
18:00 – 18:30
Edmar Soria
Researcher, composer, performer, professor of the Metropolitan Autonomous University (Mexico), PhD in Music Technology
Time Series-Convolutional Neural Network application for electroacoustic music analysis and compositional processes

in English
18:40 – 19:20
online
Day 2
October 24, 2023, Tuesday
Polina Dronyaeva
Postgraduate student, Department of Philosophical Anthropology, Lomonosov Moscow State University
“Rorschach audio” project analysis: from the psychology of projection to the role of a listener
12:00 – 12:30
Elvira Akhmetyanova
Third year student at the Kazan State Conservatory
Artificial intelligence as a new compositional strategy, illustrated by 'ANIMA TM' by Alexander Schubert.
12:40 – 13:20
Arthur Michel
Assistant-trainee of the Novosibirsk State Conservatory
Dynamic chaos and procedural basic functions in multimedia composition
13:20 – 14:00
online
Break
14:00 – 15:00
Oleg Makarov
Composer, sound engineer, multidisciplinary artist
Interdisciplinary research project “Roboturgy”
15:00 – 15:30
Mikhail Puchkov
Composer, theorist, programmer, teacher. Researcher at the Center for Interdisciplinary Research in Musical Creativity of the Moscow Conservatory
Transmedial transition as a method of creating a multimodal message, illustrated by the musical video game “Surf Clarinet”
15:40 – 16:20
Gleb Rogozinsky
Doctor of Technical Sciences, programmer, teacher
Master class on programming in the computer music language Csound
16:40 – 17:40
online
Anna Merkusheva and Anastasia Tsukanova
Anna is a music journalist, a graduate of the Faculty of Liberal Arts and Sciences of St. Petersburg State University
Anastasia is a performer, teacher, interdisciplinary artist and researcher
The human voice in electroacoustic composition as an element of the aesthetics of post- and transhumanism
17:40 – 18:30
Eldar Sadykov
Composer, media artist, music technology researcher
Customized graphical user interfaces in electroacoustic composition
18:40 – 19:00
online
Cristohper Ramos Flores
Composer, interface builder, developer
Hypersintrument design considerations in the search of a hybrid acoustic-electronic sound

in English
19:20 – 19:40
online
Day 3
October 25, 2023, Wednesday
Elena Bukireva
Second year trainee assistant at the Nizhny Novgorod State Conservatory
The role of live electronics in musical form, illustrated by Pierre Boulez's 'Anthèmes II'
12:00 – 12:30
Nikolai Dudenkov
Third year student at the Tchaikovsky Moscow State Conservatory
Game algorithms illustrated by works of modern composers
12:40 – 13:10
Berk Yagli
Guitarist, composer, producer
Zen of Aggression: Composing the Transformational Hybrid

in English
13:20 – 13:50
online
Break
14:00 – 15:00
Postgraduate student of the Faculty of Mechanics and Mathematics of Lomonosov Moscow State University, fifth-year student of the Faculty of Science and Composition of the Tchaikovsky Moscow State Conservatory
15:00 – 15:40
Felix Kanatbaev
2nd year student of the Faculty of Science and Composition of the Tchaikovsky Moscow State Conservatory
16:00 – 16:30
Polina Dronyaeva
Postgraduate student, Department of Philosophical Anthropology, Lomonosov Moscow State University
Biography
16:40 – 17:10
Dmitry Sokolovsky
Deputy Director for Scientific and Methodological Activities of the Krasnoyarsk Regional Scientific and Training Center for Cultural Personnel
17:20 – 17:50
Live stream
The schedule is available as a PDF
VENUE
Moscow Conservatory, Center for Electroacoustic Music, lecture hall
Bolshaya Nikitskaya, 13/6, service entrance to the Great Hall of the Conservatory, ground floor.
In-person visits are only available by registering using timepad
STAY IN TOUCH
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