The talk/presentation will focus on musical hybridity and critical methods developed for the hybridization of electroacoustic and metal music (a part of the presenter's Ph.D. research). These methods are formed to build a blueprint for hybrid composers (ultimately not only specific to metal and electroacoustic but for other genres as well that combines spectromorphological focused music with harmony and rhythm-based music since this type of hybridity requires a unique set of challenges and complexities). Hybridity in music is a well-established and vibrant contemporary scholarly topic. Even though the current literature provides many useful terms and strategies regarding different types of hybrids, the methods for building hybrids are rare. The talk will specifically focus on the piece 'Zen of Aggression' and discuss the fruitful and problematic methods when approaching to compose a transformational hybrid (a hybrid where both genres affect each other at the deepest level in which the resulting hybrid would not sound like each of the genre-hence transformed) between electroacoustic music and metal. Different excerpts from the piece will be played when discussing the techniques and methodologies. The talk shall also briefly discuss different types of hybridity (transformational hybrid, eclecticism, polystylism, and so on), genre and its notions (their problems, their significance, and their contemporary uses), and the notion of fluidity when approaching the hybridity in music to set the context. As technology increases at a rapid rate and postmodern conditions only grow stronger as lines get blurry, hybridity has been more than a prominent musical power to embrace this current condition and reflect through what is considered music and art in the 21st century (and challenge the notions of high art and low art).