ABOUT

The Center for Electroacoustic Music (CEAM) is the only entity of its kind in Russia, specializing in combining music composition with new technology. The center is developing several directions: creative, educational and research. The CEAM holds its own festivals and actively participates in concerts in different regions of Russia. It also organizes conferences, educational courses, and laboratories. The Center is known for creating musical instruments and art objects.

CEAM has been based at the Moscow Tchaikovsky Conservatory since 2006. Over the years, CEAM has cooperated with leading Russian and international institutions, including the International Confederation of Electroacoustic Music (ICEM), IRCAM, the Edison Studio, Moscow Philharmonic, and contemporary music festivals (reMusik.org in St.Petersburg, the ‘Moscow Forum’, Diaghilev Festival in Perm). CEAM has a multidisciplinary team that includes sound engineering and music programming specialists, researchers, composers, media artists and performers.

General manager— Nikolay Popov
upcoming events

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CEAM PLatforms


CEAM Artists is a platform that brings together performers and engineers from the Center for Electroacoustic Music (CEAM). It focuses on cooperation with composers and media artists, as well as on tutoring young performers. For each performance, the engineers create an original scenography with a light score and live video. In many concerts, musicians perform not only with classical instruments but also with various devices, including motion sensors, VR glasses, and electronic instruments.

Curator — Julia Migunova

CEAM Archive is a platform of the Center for Electroacoustic Music, founded in May 2024. Its collection boasts materials spanning over a century of inventions and research in music and technology, including musical acoustics, sound recording, issues of music perception, electronic musical instruments, light music, cybernetics, and machine learning.

Curator — Irina Sevastyanova



CEAM Conference is a platform for presenting and discussing the latest research as well as demonstrating new technologies and tools in the field of electroacoustic music. The conference is addressed to researchers, musicians, artists, engineers and other specialities.
Festivals

Biomechanics is the festival of electroacoustic and multimedia music. Its program consists of works by Russian and foreign authors created over the last 20 years. Many of these works have never been performed in Russia before, including pieces by renowned composers such as Michael Beil, Alexander Schubert, Franck Bedrossian, Yann Robin, Clara Ianotta, Mirela Ivičević, Sara Glojnarić, Pierre Jodlowski, and Yannis Kyriakides.This festival is the initiative of the composers Nikolai Popov and Alexander Khubeev. It began as a series of their portrait concerts.



Improschema is an educational and creative project of CEAM built around electroacoustic improvisation. All events take place in the Artemiev art space. It combines several formats: an exhibition of audiovisual objects, a laboratory with classes on composition and improvisation, and concert sets with leading performers from the experimental scenes of Moscow and St. Petersburg. This event series runs from 2023 onward.

Curators — Nikolai Popov and Oleg Makarov

13/6 Bolshaya Nikitskaya st., Moscow
Ground floor of The Great Hall, service entrance
ceammc@mosconsv.ru